501: Simon Mathurin Lantara (French 1729-1778), The Banishment, oil on canvas, 29-1/4 x 40 in

502: Manner of Claude Lorrain (French 18th-19th Century), Reclining Figures in a Classical Landscape, Oil on canvas, 26-1/2 x 20-1/2 in

503: Flemish School, 19th Century, Still Life of Flowers in a Vase, oil on canvas, 30 x 25 in

504: Attributed to Pierre-Paul Prud'hon (French 1758-1823), Study of Putti, charcoal with white heightening on paper, 5-3/4 x 4-1/2 in

505: Attributed to Pier Francesco Mola (Italian 1612-1666), Classical Figures in a Landscape, sepia ink on paper, 10 x 7-1/4 in

506: After Domenico Zampieri (Il Domenichino) (Italian 18th Century), Cumaean Sibyl, Oil on canvas, 48-1/2 x 36-1/2 in

507: Bellotti D. Canaletti (Italian 18th Century), Classical Ruins: A Pair of Works, Oil on canvas, each: 19-3/4 x 26 in

508: Attributed to William James (British 1730-1780), The Grand Canal, Venice, Oil on canvas, 40 x 50 in

509: Manner of William James (British 19th C), View of St. Mark's Square& Doge's Palace, Capriccio, Venice, oil on canvas, 38-1/2 x 57-1/4

510: Thomas Danby (British 1818-1886), View of Locarno, Lake Maggiore, Italy, Oil on canvas, 10 x 16 in

511: Samuel John Lamorna Birch (British 1869-1955), April Morning, Newlyn, Cornwall, oil on canvas, 20 x 24 in (50.8 x 61 cm)

512: Ronald Gray (British 1868-1951), Countryside with Winding River: A Pair of Works, Oil on canvas, 10 x 14 in

513: *** Mortimer (Possibly British, 20th Century), Plowing the Field, Oil on board, 10 x 14 in

514: Oliver Clare (British 1853-1927), Still Life with Peaches and Plums: A Pair of Works, Each oil on board, 9 x 7 in

515: Attributed to William E. D. Stuart (British fl. 1846-1858), Wild Flowers in a Landscape, Oil on canvas, 12 x 16 in

516: William Hughes (British 1842-1901), Still Life with Apples, Pears and Strawberries, oil on canvas, 6 x 8 in

517: Myles Birket Foster (British 1850-1899), A Woodland Glade, watercolor on paper, 6-3/4 x 5-1/2 in

518: John Burr (Scottish 1831-1893), Caught Napping, Oil on canvas, 16 x 26-1/2 in

519: George Morland (British 1763-1804), Conversation in a Stable, oil on canvas, 20 x 25 in

520: William Shayer (British 1787-1879), Returning from the Sea, oil on canvas, 24 x 36 in